Channelling the metropolitan unease and vibrancy of São Paulo, director Marcelo Caetano's gripping drama focuses on those who inhabit the outskirts of an ever-changing metropolis. Recently released from juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) finds himself at a crossroads; deserted by his parents, the impressionable young man discovers refuge in the arms of others.
On an late-night excursion with his boisterous group of LGBTQ+ and gender non-conforming friends, Wellington encounters Ronaldo (actor Ricardo Teodoro), a strapping, magnetic hustler more than twice his age. Bathed in the flickering glow of a adult movie theater, their initial encounter is sensuous and erotic, with an tinge of peril. Ronaldo swiftly initiates Wellington to the underground scene of the sex trade and selling drugs.
Caetano depicts Wellington’s new life of crime with gentle sympathy as opposed to as a melodramatic morality play. Now adopting the moniker Baby, he engages in his paid liaisons with swaggering confidence and touching naivety. To his clients, Wellington offers more than his youth and his body, but also moments of care.
In the electrifying chaos of São Paulo, filled with busy lanes and brightly painted facades, there’s a persistent isolation, as rootless people grasp at one another for temporary happiness.
"The city are riddled with risk, yet they are also the space where they can forge familial bonds, too."
Ronaldo is simultaneously a partner and a guardian-like mentor to Wellington, but their bond is sabotaged by jealousy and financial instability. Intimidation from shady figures in the shadow economy pale in comparison to the fear of institutional observation and incarceration, represented by the hovering figures of police officers in the area.
Baby is most powerful as an astute portrait of the forgotten souls who have been failed by the established structure. The film stands as a heartfelt exploration into survival, found community, and the search for identity within a harsh urban landscape.
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